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It's so strange when a room is reduced to four white walls.

After spending a good portion of my day cleaning out dried soy sauce from a refrigerator (thanks, worthless pad thai eating hydra-for-roommate), driving a moving van that could comfortably carry approximately three African elephants, and feeding boys jelly donuts in exchange for their brawn, it's finally over. I'm out of my first home outside of home. And it was a good one, a great one, a scary one, and a sad one. Sometimes I saw it as a sanctuary, others, a witch's tower. I can't say for certain how I've changed since moving into that house one year ago, mainly because I don't think we ever truly recognize it in ourselves, even in hindsight. But that could just be because I may be made of granite. Who knows.

The point remains that, regardless of if the leasing agents see the wad of now black spearmint gum in the corner of the living room that I tried to conceal with white-out, or the lingering odor of kitty litter from the fireplace, my presence in that house is gone. Reduced to nothing, not even a whisper. After picking up the last bits of trash from my room that my vacuum missed, (an oyster cracker and a turquoise sequin, respectively) there was nary a trace of life. Just eggshell. I wanted to cry. And for whatever reason, I felt like I was made of evaporated milk. Did this past year actually happen? Where was it?

(To be honest, I did cry. To be even more honest, I cried a lot.)

As I was busy spewing a salty cocktail of oils, mucin, and water onto my freshly cleaned carpet and lamenting a year I had so fatally declared "lost," I could hear the grunts of those downstairs lugging my mattress to the truck. Some of them were familiar, others were new. Some, like my cousin Cooper, I had accidentally dropped on a coffee table when I was ten, others I had just recently met. And it struck me then, I guess, that my instrument for gauging a year was wrong. I'll always remember floor plans (as I toted Architectural Digest as much as I did Highlights when I was younger), but those don't really make a life or a memory. Like Shakespeare said, at best, the world is a stage. Place isn't definitive of memory, but rather people. At least that's how I see it. It's the grunts of those downstairs who help you move from A to B (and unfortunately also those that keep you too long in A and make you late for B) that act as place markers. The nights you spend putting foam rubber stickers on your forehead just because, the days you spend tripping on takeout boxes and musical instruments, or the morning you spend picking up used tissues and bottles of wine. Those, to me, are more permanent than any room could ever be.

In short, I'm still going to miss this house nestled among a retirement home, a middle school, and a university, but walls are everywhere. I'll miss its front porch, I won't miss its tacky italian chef plates that were glued to the walls, yet surprisingly enough, I will miss the confetti-colored walls of the basement. But that's it. The rest I'm taking with me.

Eat Less, Lie More?

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Urban Outfitters Shirt, Bush
Recently, former WB star Sophia Bush has taken great issue with a new garment from trendy brand Urban Outfitters that says "Eat Less" on the front. While I generally disagree with the shameless promotion of the whole “eat less, feel and look better by proxy albeit for shallow reasons” idea (although I tend to think that a good percentage of Americans could serve to benefit by only doling out only one scoop of ice cream after dinner as opposed to four), I have to wonder what Urban Outfitters has really done besides taking the veritable mantra of the fashion industry and ironing it on to a shirt. 
I open up fashion magazines like Vogue and Elle, both of which have as much substance as swill (in my opinion, at least), and am immediately inundated with advertisements featuring waifs and meth-addict look-a-likes who are both, given their makeup and location in  magazines that promote beauty and style, allegedly the epitome of the female form. Obviously having a BMI that matches the age of Justin Bieber isn’t healthy, but that’s what the industry, not just UO, promotes in a supposedly subtle way. Why the outrage, then, when yet another fashion big brand simply isn’t as cryptic? Isn’t it really just because as both women and people, while we appreciate truth, we prefer it diluted? As far as I’m concerned, we’re all still drinking the same kool-aid, at least now the ingredients are more apparent.
If we want to change this, it’s not going to happen by getting pissed about a stupid t-shirt (which I doubt will sell much anyway, it’s ugly and overpriced) and refusing to go a single store, it’s by taking down the faceless behemoths that are behind the ad campaigns of every big fashion label out there. Granted, that’s hard to do, so naturally it makes sense to pick on something smaller, although also something that, regardless of how you feel about it, at least comes by its warped views honestly. Yes, as Sophia Bush stated, it could promote anorexia. It could promote a lot of things, actually; just like anything can. But since when is fashion family, and since when does it have to come with a warning label?  
Tacky? Definitely. Irresponsible given UO’s demographic? Sure. But any different than anything else we see with other trendy brands? Absolutely not.

american christmas

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In the distance I can see golden Christmas lights poking out of trees like frozen fireworks. And I think back to Fourth of July and the slick and sticky watermelon seeds that glued to my cheeks for hours and how I didn't realize that until...well, until I saw pictures.

There is a homeless man in the distance holding a soggy piece of cardboard so tattered and worn that the there are indents on their sides which resemble the chomp marks on leaves made by hungry caterpillars. Christmas lights illuminate his sign, which says "please give," except please is misspelled. And I can hear the gas station's holiday jingles and see families with cherry-stained cheeks hop into their waxy SUVs, rolling their eyes at the homeless man and speeding off into the night. I look for him, and for a moment he has disappeared behind the exhaust of their luxury "utility" vehicle. Struck by the irony, I wonder if petroleum vapor and slammed doors were what the homeless man had in mind when he asked for others to "pleese give." I would roll down my window and give him a dollar or a hug or something, but I only have a MasterCard and my light is green now.

I look into my rearview mirror as I drive off into the night and toward the lights, and soon his face fades into the blobs of black that separate the Christmas lights from the leaves of the hedges that stand like soldiers in front of the many suburban tudor style homes. And I think about the watermelon seeds stuck on my cheek and how I didn't realize they were there even when they were gone. I hope the homeless man doesn't think he's been forgotten.

"Je suis fier quand je me compare , humble quand je me considère"

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as i talk to you
i see you looking for your reflection in the whites of my eyes
and you don't ask questions
you don't ask anything
and i don't ask for anything
which is why i guess i have you

you tell your jokes
and recite those lines from that one french movie you saw in college
and i swallow the acid that collects in the sides of my mouth
it's hot and clear and bubbling like a geyser
so my eyes start to water
and you say "calm down, lady" and wink at me
even though my pulse is slower than a dead cat's

you say you're going to do what you love
(and that your friends are really proud and wish they were doing the same)
and place all your eggs in one basket
but all i can wonder is
where are the eggs?

and i would ask you that
but there isn't a chance for me to interject
as you tell your jokes
and recite those lines from that one french movie you saw in college

high

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i don't want to bother you
and i wish i could dilute the color in my eyes
fade softly into the yellow curtains
and dissolve into the amber corners of the sky

but i don't want to bother you
so here's where i'm going to stay
pull the thin white blanket over my eyes
rest my heavy thoughts on your slinking sighs
and then smile as their weight evaporates
   and mirrors the clouds that dot the maple sky

but i don't want to bother you
so here's where i'm going to stay
i'll place this pendulum heart on an invisible string
and sink into a fall breeze as it breaks off and away