Showing posts with label change. Show all posts
Showing posts with label change. Show all posts

the accident

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The woman I hit liked to write in ALL CAPS.

It happened as I was leaving the local grocery after an unsuccessful search for a good planner, and an equally unsuccessful run-in with an ex-boyfriend. He was sporting the same red cheeks that I had grown to loathe over the brief stint of our relationship, and after seeing them I thought immediately of the day in my dorm room when I rolled to my side after thirty minutes of listening to him yap incessantly about his inclination to return once again to the Eastern Orthodox Catholic Church and leave his angst-ridden agnostic ways behind. This ninety-degree rotation was done with the naïve hope that a catnap would make him grow bored and leave. Instead, he stayed, trying to sneak his fingers one by one like grains of sand in an hourglass to my right breast. How orthodox of him.

Continuing this veritable dance of body parts, I took my turn and feigned a mid-nap jolt, straightening my legs suddenly and arching my back severely. Perhaps I was falling off a cliff in the Grand Canyon or being electrocuted. I don’t know. To me, it didn’t matter if I plummeted to my death, eventually resembling old chewing gum that rests inextricable from the pavement, I was determined to brush his sweaty fingertips off of my side. And then I remember how, despite my repeated efforts to mimic the dead, he remained behind me like a shadow and whispered I love you, Savannah to my spinal column with slightly different inflections and cadences each time, some to evoke more sincerity, and others to create a more playful tone. Either way, I wanted to hurl (preferably on him), and found it increasingly more difficult to continue this act of sleeping. The truth of the matter was that after a toxic past relationship that consisted primarily of lies and a few dollops of deception, I was merely seeking air and attention. By no means did I desire to be smothered by a blanket with a penis. And by no means did I wish to take his virginity, either, and then end things after two months when I feared complete suffocation. But what would life be without getting fucked?

Anyway, after the encounter at the soft drinks and bottled waters section, I hurried out of the store, hackles up, sans planner but with migraine. I could think only of his stupid clammy hands and the terrible sounds his lips made when he licked them after expelling the word love all over my frame like a machine gun. I needed to get home. I walked anxiously toward the parking lot, and soon found my car sitting happily between a depressing, tomato colored mini-van and some bumper stickered Volvo, eager for my fingers to grasp the wheel and be driven. Sanctuary. Clutching the dark steering wheel with my fingers, I rotated my right wrist to start the car, and then immediately afterward made the fluid motion from keys to volume control, breathing in deeply as pitches and rhythms washed over me like a tidal wave. And then I was drowning.  Air and rotten memories were sucked out of me as if each eighth note were part of a large vacuum. I sank deeper and deeper, and soon enough everything was replaced with water. Minor sevenths and thirds flooded my eardrums, and all of a sudden I was no longer in a dingy parking lot, but rather was floating in some kind of abyss. Now numb, my right foot released the brake, and I continued slowly, allowing my car to do most of the driving for me.

And then, crunch. I was catapulted from my swimming dream and hurled back to life, landing on some cigarette-butted and bottle-capped beach, sand in my nose and salt in my eyes. I smacked the volume button silent with the bottom of my palm and rushed out of my car. And there I found her, an old woman lying supine on the ground with gravel clinging to her kneecaps like leeches. Dream over.

Oh my god, I cried, rushing to her side. Are you OK?  What a stupid question. Of course she wasn’t OK. She had just been groped by my bumper and then thrust carelessly to the concrete like a sexual assault victim.

However stricken she did appear, the good thing (if that so exists) was that there weren’t any cuts on her body. Despite the gravel and the car exhaust that blanketed her waif-like frame, she seemed to be fine. I quickly gave her my hand, praying that she wouldn’t grab it only to bite it off like a piranha.

Yes, I think so, she said. She placed her liver-spotted hand in mine, and I watched them closely as her phalanges began to flex rigidly against her paper-thin skin. For a moment, I was fearful that her most severe injury would occur only when I tried to help her up.

After establishing that she was essentially unmarred, I reached into my purse and scribbled all of my contact information onto the only piece of paper I could find: a gum wrapper. I had never been in this kind of situation before. What was I to write? Insurance information, my fondest condolences, my address so she could come to my house and kill me or my dog? I’m so sorry, I said, scrawling out the final digits of my driver’s license number. So what do we do now?

The woman shook her head at me like a horse’s tail does when flies get too close to its rear. Well, she began, I feel fine but I’m calling the cops. She had a New York accent, and when she said this I could see the dark lining on her gums that resembled power lines made droopy by years of perching pigeons and dangling tennis shoes. She had eyeliner on only one of her eyes, and squinted them so harshly that they became asterisks as she handed me her information. Angry and in block letters, I found out that my victim’s name was DOROTHY REICHART and that she lived three blocks away.

Do you think the police are really necessary, I asked.

I felt more and more like a fly with every passing moment. Of course they are, she squawked. You hit me in your little sports car.

I wanted to tell her that in addition to having all of my necessary information, the fact that she was both standing and able to be rude meant that there wasn’t much work left for the police to do. But I didn’t. I didn’t say anything. Instead, Dorothy yanked out her phone and began punching the buttons as if she were Muhammed Ali and they were Sonny Liston. I couldn’t concentrate. All of a sudden, I felt another wave begin to swell from within, this time covering my body with tears and an anxiety rash. Maybe it was because the authorities were on their way, and information on a wrapper wouldn’t suffice. Maybe it was that I couldn’t escape this time, or roll over on my side and pretend to sleep. I’ll never really know. Though before I was able to realize it, the wave peaked and I was out of control, and I soon began to release snotty sobs onto my new dress. I’m so sorry, I cried. I just didn’t know what the hell I was thinking, or why I wasn’t more careful. Dorothy looked at me, bony arms now crossed, and from the corner of my eyes I could see those familiar red cheeks making their way to a nearby car. They stopped in their tracks and faced me.

And that’s when I collapsed. No longer able to breathe, I fell to the floor like a wad of paper that just missed the wastebasket. For once, I wasn’t seeking attention or sympathy. From my crumpled state, I saw the feet that belonged to the cheeks pause for a few moments and then continue on their way. And then to my horror, I saw four more wheels and the flash of red and blue lights. I heard the click of a car door, and then saw not two, but four feet rush to my side. Soon, I felt Dorothy’s tiny hands cup my shoulders, and then felt the hot, smoky breath of the cop who was now squatting and looking into my face, and asking how badly I was hurt in the accident.

Sobbing, I said that I wasn’t the one who was hurt, that I did the hurting. The shocked officer looked to Dorothy, who at this point was rubbing her hands on my back and cooing that everything would be OK. And to my even bigger surprise, I let her hands stay. The cop looked to Dorothy and asked if she was fine. She said yes, that it was just an accident and that I wasn’t going fast at all.

Have you all exchanged contact information, he asked.

Dorothy nodded, responding for both of us. Seeing that I was still heaving and making a fool of myself on the concrete, the cop lingered for a few moments more and continued to kneel by my side. Listen, he said, accidents happen. Even to cops. I remember once I was on duty and accidentally hit another vehicle. Except this one was filled with an elderly couple and they weren’t as lucky as Ms. Reichart. There were ambulances and everything. He paused, and from my now clearer eyes, I could see him wince a bit. I didn’t mean to do it, he said, but you know…after stuff like this happens, there’s only so much you can do. Perhaps venturing too close to a part of his heart he preferred to keep a little more dusty and dark than the rest, he stood abruptly and brushed off the dirt from his knees. Look, he said, my point is that everything’s gonna be OK. You both are gonna walk away from this, and everything will be fine. OK?

I nodded, propping myself up with my now mascara-covered hands. Dorothy looked at me and smiled. He’s right, you know, she said. I’m fine. I’m not hurt, and I’m fine. She grasped my hands once more with her papier-mache ones, and smiled. Look, she said, I’m gonna go get my groceries now.

And then she flew off, leaving me to watch in silence as she made her way from the accident to the store. And instead of resembling a grim smoker from the city, I saw a slight, yellow-toothed angel. Sitting in my former sanctuary again, I clasped my steering wheel and began to drive.

"In My Life"

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My tights itched. Baggy in the ankles yet tight and scratching away at my shins, I was silently kicking myself for shaving my legs the day prior. I was 12 years old and the concept of shaving was exotic at the time, but more than anything I just wanted to feel special for my final recital. And so the night before it, I quickly grabbed my newly purchased, bubblegum pink Schick razor with overconfident zeal, and without having a clue as to what I was doing, hopped into the shower and scraped the razor up my skin for the first time, creating what would soon resemble winding and hairless country roads with the occasional nicked pothole. I covered these bumps with Ninja Turtle band-aids (they were the only ones I could find in my house) but was paranoid that Leonardo would be visible from the stage. I wondered if this painful self-awareness was just another part of growing up.

My thoughts left the annoyance below my knees and returned to the girl standing before a lighted mirror of the dressing room. Staring back at me was a girl who was growing out her bangs that she had since she began to grow hair at the ripe age of 3, and was wearing her mother's red lipstick and blush. I didn't recognize her, but I knew she was me. A few minutes earlier, I had taken my mother's eyeliner in secret and dotted a mole above my upper lip so I would look like Cindy Crawford. And then carefully, I adjusted the bobby pins in my bun and sprayed extra-hold hairspray in my now darkening hair. I smoothed my green, velvety leotard and poofed the pale white tulle of my tutu. I looked into the mirror, and despite my turtle avenger band-aids, I didn't feel like a child anymore.

While admiring my costume, I saw other girls in the dressing room preparing for their own performances. These girls were much younger than me, and their mothers were helping to apply their stage makeup while the girls sat cross-legged, picking the sequins off of their skirts. I recalled with ease the moment in my early childhood when I was to dance to "Twinkle, Twinkle, Little Star" in a recital. We were all very excited, for the teacher told us that we could choose the costume color that each of us wanted. I, being quiet and small, was pushed behind in line by the other, taller girls and therefore had the last choice in color preference. So naturally when all of the other girls got pretty tutus in shades of pink, red, and violet, I was stuck with lime green. I laughed to myself, remembering the pictures that were taken of me that evening. On stage and on film, I resembled a dehydrated pea in a galaxy of twinkling stars, and in some of the snapshots you could see me clutching my glittering wand for dear life, holding back childish tears. But I still performed the ballet. Later, as I went into the auditorium feeling lost and ugly, my mother and father ran toward me, arms open and full of calla lilies. They were my favorite flowers. I fell into their arms, crying and saying I felt like an ugly vegetable. They said I looked like a star.

Those memories slowly faded to black, and I fixed my gaze away from the little girls and back to the mirror, imagining how I would look on stage in the coming moments. The theme of this year's recital was portraits, and the hope was that the choreography and music would emulate a famous work of art. My class' piece was "The Yellow House" by Vincent Van Gogh. Miss Jody, my teacher, selected "In My Life" by the Beatles for our music, but the version that we would dance to was done by Judy Collins. At the time, I chided Miss Jody for her choice, saying that the song was silly and no fun to dance to. Arms crossed in her oversized black ballet sweater, she would laugh and shake her head, telling me that one day I would understand it. I didn't at the time, but still learned the choreography to the best of my ability.

I hoped tonight would be special, as this was going to be my last performance on the stage where I had been performing for nearly 6 years. At home, my room was little more than stacked, labeled boxes and floral suitcases. In my head, there was little more than a few final goodbyes filled with words and thoughts that I had yet to explore and say to a few special people. I would be leaving in three days, never to return to my sleepy beach home again. I was trading sand for bluegrass, and with that trade came the loss of a father's presence, friends, and a childhood. Miss Jody had given me the final 16 counts for a solo, and I needed them to be perfect. Everything else in my life was in flux and fading away, but I was in complete control of my own two feet. I imagined myself dancing and turning and leaping across the stage, the audience fixated on the lone ballerina.

All of a sudden, my dreams quickly dissipated as girls in familiar green and white costumes caught my eye. Our piece was next. Reluctantly, I crunched my faded pink ballet shoes into the box of rosin, praying for a good grip. I breathed deeply, and then stepped to the sides of the stage.

I watched in awe as the current group performed grand jeté after grand jeté in light blue and white leotards. Their piece was a beach scene painted by Joaquin Sorolla. The entirety of their choreography was very advanced: all of their footwork was done en pointe. These girls were older, most likely with smooth legs and beauty marks above their upper lips, and I wondered to myself if someday I would ever have younger girls look at me the way I was at them. I could only hope so. I thought they were so beautiful. The music came to a quiet close, and the older girls ended in perfect splits and arabesques. Shrinking into myself, I was beginning to feel like a pea once more.

At that moment, I felt a warm hand on my shoulder. I looked up, and there stood Miss Jody, smiling. "You're going to do something special for this silly song still; right, Savannah?"

I laughed skittishly, but for whatever reason, I wanted to cry. She put a thin hand on each of my cheeks and looked me in the eyes, holding my gaze. I felt like she knew everything. And then, she took one of her fingers to her mouth and licked its tip. Then, she reached with her wet fingertip and placed it atop my upper lip, wiping away my artificial beauty mark. "Did you have an accident with the eyeliner or something?" she asked, grinning.

I didn't answer.

The curtain began to close and the older girls passed me. Miss Jody kissed my forehead and squeezed my hands. "Just get out there and dance, Savannah," she said, "I know you can." She released my hands from her grasp, and then disappeared into the darkness.

And so, with apprehension leading each of my footsteps, I entered the stage. Even with five toes on the ground, the weight of my body on the balls of my feet, and with eyes extending slightly above the horizon line like we had learned in class, I still felt as if I were a ship that would capsize at any moment. I extended my arms to second position and breathed a shaky breath as the curtains rose for the final time. I looked to the crowd and saw them: the people I would be leaving, the people I would be seeing, the people I did not know and never would, and all the while thinking about the people and places I had yet to meet. I was overwhelmed, panic stricken, and contemplating running off the stage when suddenly the music began. The soft and gentle guitar eased into the hall and silenced all of my thoughts. It was time to stop worrying and to start dancing.

And so I did; we all did. Our movements were slow and simple, yet graceful all the same. With each breath, each tondu and coupé, my thoughts moved further and further away from my mind, losing themselves in the corners of my body's long and lean shadows. My movements were smooth and controlled, as if I were a small, silk ribbon being unwound from a narrow spool.

The final 16 measures approached, and the other girls in my class began to walk demi-pointe off the stage. My only remaining partner was a dim spotlight that followed me wherever I went. Judy Collins' voice guided me as I marked my final steps on the stage:

But all of these friends and lovers
There is no one compares with you
And these memories lose their meaning
When I think of love as something new

Coupé, chassé, soutenu. Only a few more steps remained.

Though I know I'll never lose affection
For people and things that went before
I know I'll often stop and think about them
In my life, I love you more

Tour jeté, pas de bourrée, and a final pirouette. I did a double.

In my life, I love you more

I landed the turn, feeling firm in my feet with my head lifted up toward the balcony. I scanned it and saw my mother and father, and then my grandmother and grandfather. They all began to clap before the song had even ended. My mother was wiping tears from her eyes; my father was holding calla lilies. The audience began to applaud, too, and the other girls in my class returned to the stage, joining me and holding my hands. We bowed, and the red curtain began to fall from the ceiling. As I was running off stage, I saw Miss Jody emerge from the sides, arms naturally resting in a low first position. She mouthed the words "thank you" to me, and then disappeared once again behind the curtain.

After the recital was over, I ran to my family, throwing myself into the faces I would be seeing and the faces I would be leaving; past, present, nor future was forcing me to rest more heavily on one person in particular. I was steady on my own two feet. As the five of us were leaving the recital hall and heading to the car, I stopped abruptly and began scratching at the band-aids that hid impatiently beneath my tights.

"What's wrong?" my mother asked me.

"Oh, nothing," I sighed, "I just cut myself shaving last night."

My mother looked to my father and smiled. "Billy," she said, "it looks like our little girl is growing up."